{"id":92142,"date":"2023-10-24T14:48:46","date_gmt":"2023-10-24T12:48:46","guid":{"rendered":"https:\/\/palazzoducale.genova.it\/?p=92142"},"modified":"2023-10-24T14:48:47","modified_gmt":"2023-10-24T12:48:47","slug":"temathic-itineraries","status":"publish","type":"post","link":"https:\/\/ww2.palazzoducale.genova.it\/en\/temathic-itineraries\/","title":{"rendered":"Temathic itineraries"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide py-3\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Wolfsoniana<\/strong>&nbsp;is the place where the selected objects of the Wolfson collection find their expositive place. The visitor who walks throuh furnitures, paintings and furnishings taht aere exposed, feels the taste of time and the importance of themes that Micky Wolfson wants to emphasize through his collection.<\/p>\n\n\n\n<p>The arrangement of Wolfsoniana follows a chronological\/thematical address. Beside the chronology of the cultural movements, of the artistic currents and stiles, they wanted to emphatize the thematics which characterize the collection:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>evolution of decorative arts,<\/li>\n\n\n\n<li>art of propaganda,<\/li>\n\n\n\n<li>work<\/li>\n\n\n\n<li>travel,<\/li>\n\n\n\n<li>international exhibits and expositions.<\/li>\n<\/ul>\n\n\n\n<p>At woflsoniana\u00a0the visitor feels and tastes the spirit of the collection\u00a0in his complexity and heterogeneity.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\r\n    <div class=\"\">\r\n        <div class=\"card-block-grid\"><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/exoticism\/\" >Exoticism<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/Alhambra.jpg')\"><\/div><div class=\"grid-box-content\">The so called&nbsp;Moorish style&nbsp;became popular in Italy in the second half of the Nineteenth Century thanks to the great exhibitions and it spread mainly in places dedicated to entertainment and&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/art-nouveau\/\" >Art Nouveau<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/medusa.jpg')\"><\/div><div class=\"grid-box-content\">The second section of the museum is dedicated to Art Nouveau. A decorative style widespread throughout Europe and the United States between 1890 and the First World War, it presents&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/roman-school\/\" >Roman School<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/idoloprisma-500x500.jpg')\"><\/div><div class=\"grid-box-content\">Duilio Cambellotti&nbsp;is one of the most interesting personalities in the Italian decorative arts scene of the first half of the Twentieth Century. Characterized by a \u201ccraftsman\u201d approach, with a strong&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/antonio-rubino\/\" >Antonio Rubino<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/rubino2.jpg')\"><\/div><div class=\"grid-box-content\">Antonio Rubino (1880-1964), founder of the most famous children\u2019s magazine \u201cIl corriere dei piccoli\u201d, was influenced by the Symbolist circles and by the Art Nouveau, of which he offered a&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/art-deco\/\" >Art Deco<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/salamandra-500x500.jpg')\"><\/div><div class=\"grid-box-content\">The Wolfson collection \u2013 the furniture, the metalwork,&nbsp;Gio Ponti\u2019s and Guido Andlovitz\u2019s ceramics&nbsp;and the vase by&nbsp;&nbsp;La Salamandra of Perugia&nbsp;exhibited in Monza in 1930 \u2013 testifies the spread of the Art&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/novecento\/\" >Novecento<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/sciuole-500x500.jpg')\"><\/div><div class=\"grid-box-content\">Twentieth Century Art, or rather &#8220;Novecento&#8221; style, is particularly rich and versatile from an expressive point of view, if it is analyzed within&nbsp;Italian cultural events of the period straddling the&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/rationalism\/\" >Rationalism<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/razionalismo_sedia.jpg')\"><\/div><div class=\"grid-box-content\">The&nbsp;Palazzo degli Uffici Gualino&nbsp;(1928) in Turin is one of the first examples of Rationalist architecture, planned by&nbsp;Giuseppe Pagano&nbsp;and&nbsp;Gino Levi Montalcini. Of the furniture pieces drawn by the two architects only&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/futurism-and-propaganda\/\" >Futurism and Propaganda<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/yhyat-500x500.jpg')\"><\/div><div class=\"grid-box-content\">The main fascist iconographic motives interweave with the development of futurist research in the years straddling the two wars and in particular with the&nbsp;Thirties Manifesto of Aeropainting. While the fascist&hellip;<\/div><\/div><\/div><div class=\"grid-col\"><div class=\"grid-box position-relative\"><div class=\"grid-box-title mb-1\"><a class=\"h5 stretched-link\" href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/towards-industrial-design\/\" >Towards industrial design<\/a><\/div><div class=\"grid-box-image\" style=\"background-image: url('https:\/\/ww2.palazzoducale.genova.it\/wp-content\/uploads\/designindustrialee.jpg')\"><\/div><div class=\"grid-box-content\">In the transportation sector, the transition from mechanised craft production to industrial fabrication, which was not fully completed in Italy until after World War II, is represented in the Wolfsoniana&hellip;<\/div><\/div><\/div>\r\n        <\/div>\r\n    <\/div>\r\n    \n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Wolfsoniana&nbsp;is the place where the selected objects of the Wolfson collection find their expositive place. The visitor who walks throuh furnitures, paintings and furnishings taht aere exposed, feels the taste of time and the importance of themes that Micky Wolfson wants to emphasize through his collection. The arrangement of Wolfsoniana follows a chronological\/thematical address. Beside &hellip; <a href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/temathic-itineraries\/\">Continue<\/a><\/p>\n","protected":false},"author":4,"featured_media":3690,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-92142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wolfsoniana-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/92142"}],"collection":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/comments?post=92142"}],"version-history":[{"count":1,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/92142\/revisions"}],"predecessor-version":[{"id":92146,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/92142\/revisions\/92146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/media\/3690"}],"wp:attachment":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/media?parent=92142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/categories?post=92142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/tags?post=92142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}