{"id":5190,"date":"2020-02-15T17:44:11","date_gmt":"2020-02-15T16:44:11","guid":{"rendered":"https:\/\/palazzoducale.genova.it\/novecento\/"},"modified":"2023-10-27T12:38:56","modified_gmt":"2023-10-27T10:38:56","slug":"novecento","status":"publish","type":"post","link":"https:\/\/ww2.palazzoducale.genova.it\/en\/novecento\/","title":{"rendered":"Novecento"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p><strong>Twentieth Century Art<\/strong>, or rather &#8220;Novecento&#8221; style, is particularly rich and versatile from an expressive point of view, if it is analyzed within&nbsp;<strong>Italian cultural events of the period straddling the two world wars<\/strong>.<\/p>\n\n\n\n<p>As from 1922, the year in which&nbsp;<strong>Margherita Sarfatti<\/strong>\u2019s artistic movement made its first public manifestation, this style spread and made a name for itself within the field of architecture and the figurative and decorative arts. The several linguistic variants of this tendency though shared a common denominator, in other words a return to a classic ideal.<\/p>\n\n\n\n<p>Despite the different declinations and the adherence to an international climate of a return to order, the Twentieth Century style nonetheless maintained the cultural inheritance of the&nbsp;<strong>avant-gardes<\/strong>, also by absorbing the stimuli of the most innovative research approaches, in a sort of formal balance which can for example be found in the&nbsp;<strong>chairs designed by Marcello Piacentini&nbsp;<\/strong>(1881 \u2013 1960) as a wedding gift for Fiammetta, Margherita Sarfatti\u2019s daughter, and in the&nbsp;<strong>Portrait of the Art Critic Matteo Marangoni&nbsp;<\/strong>painted by Baccio Maria Bacci in 1919.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"211\" src=\"https:\/\/palazzoducale.genova.it\/wp-content\/uploads\/sediapiacentini.gif\" alt=\"Marcello Piacentini, Sedia per l\u2019ingresso della casa di Fiammetta Sarfatti a Roma, 1919\" class=\"wp-image-3711\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/palazzoducale.genova.it\/en\/temathic-itineraries\/\" data-type=\"URL\" data-id=\"https:\/\/palazzoducale.genova.it\/en\/temathic-itineraries\/\" target=\"_blank\" rel=\"noreferrer noopener\">back<\/a><\/h4>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Twentieth Century Art, or rather &#8220;Novecento&#8221; style, is particularly rich and versatile from an expressive point of view, if it is analyzed within&nbsp;Italian cultural events of the period straddling the two world wars. As from 1922, the year in which&nbsp;Margherita Sarfatti\u2019s artistic movement made its first public manifestation, this style spread and made a name &hellip; <a href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/novecento\/\">Continue<\/a><\/p>\n","protected":false},"author":2,"featured_media":86086,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-5190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wolfsoniana-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/5190"}],"collection":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/comments?post=5190"}],"version-history":[{"count":1,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/5190\/revisions"}],"predecessor-version":[{"id":92263,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/5190\/revisions\/92263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/media\/86086"}],"wp:attachment":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/media?parent=5190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/categories?post=5190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/tags?post=5190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}