{"id":5172,"date":"2020-02-15T17:23:46","date_gmt":"2020-02-15T16:23:46","guid":{"rendered":"https:\/\/palazzoducale.genova.it\/roman-school\/"},"modified":"2023-10-27T12:33:56","modified_gmt":"2023-10-27T10:33:56","slug":"roman-school","status":"publish","type":"post","link":"https:\/\/ww2.palazzoducale.genova.it\/en\/roman-school\/","title":{"rendered":"Roman School"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p><strong>Duilio Cambellotti<\/strong>&nbsp;is one of the most interesting personalities in the Italian decorative arts scene of the first half of the Twentieth Century. Characterized by a \u201ccraftsman\u201d approach, with a strong bent for the integration of different artistic modes, the Roman artist was a painter, sculptor, illustrator, engraver, scenographer and costume designer for the theatre and for the cinema. He designed furniture, ceramics, glass doors, medals, jewels and entire rooms.<\/p>\n\n\n\n<p><strong>Le curiose<\/strong>&nbsp;and&nbsp;<strong>La notte<\/strong>, his elegant and archaic cabinets exhibited at the International Biennial Exhibitions of Decorative Arts in Monza in 1923 and in 1925,&nbsp;<strong>La Panca dei Timoni&nbsp;<\/strong>and&nbsp;<strong>Il Mobile dei Falchi<\/strong>, the glass door&nbsp;<strong>Stemma del Trecento&nbsp;<\/strong>and some ceramics give an idea of the quality and the versatility of his production.<\/p>\n\n\n\n<p>Cambellotti helps to contextualize the works of artists who were active in the Roman circle during the Twenties:&nbsp;<strong>Vittorio Grassi<\/strong>,&nbsp;<strong>Melchiorre Melis<\/strong>, and some young artists who primarily devoted themselves to ceramics.&nbsp;<strong>Idolo del prisma&nbsp;<\/strong>(1925) by&nbsp;<strong>Ferruccio Ferrazzi&nbsp;<\/strong>is a symbolic reference to the pictorial research of the same period.<\/p>\n\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"246\" src=\"https:\/\/palazzoducale.genova.it\/wp-content\/uploads\/idolodelprisma.gif\" alt=\"Ferruccio Ferrazzi, Idolo del prisma, 1925\" class=\"wp-image-3700\"\/><\/figure><\/div>\n\n<div class=\"wp-block-image is-style-default\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"170\" src=\"https:\/\/palazzoducale.genova.it\/wp-content\/uploads\/stipolaNotte.gif\" alt=\"Duilio Cambellotti, La Notte, 1925 \" class=\"wp-image-3698\"\/><\/figure><\/div><\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/palazzoducale.genova.it\/en\/temathic-itineraries\/\" data-type=\"URL\" data-id=\"https:\/\/palazzoducale.genova.it\/en\/temathic-itineraries\/\" target=\"_blank\" rel=\"noreferrer noopener\">back<\/a><\/h4>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Duilio Cambellotti&nbsp;is one of the most interesting personalities in the Italian decorative arts scene of the first half of the Twentieth Century. Characterized by a \u201ccraftsman\u201d approach, with a strong bent for the integration of different artistic modes, the Roman artist was a painter, sculptor, illustrator, engraver, scenographer and costume designer for the theatre and &hellip; <a href=\"https:\/\/ww2.palazzoducale.genova.it\/en\/roman-school\/\">Continue<\/a><\/p>\n","protected":false},"author":2,"featured_media":86198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-5172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wolfsoniana-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/5172"}],"collection":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/comments?post=5172"}],"version-history":[{"count":1,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/5172\/revisions"}],"predecessor-version":[{"id":92256,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/posts\/5172\/revisions\/92256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/media\/86198"}],"wp:attachment":[{"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/media?parent=5172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/categories?post=5172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ww2.palazzoducale.genova.it\/en\/wp-json\/wp\/v2\/tags?post=5172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}